Read the full article by Dave Kempa at Sacramento News & Review
What makes the man?
Is it the clothes he wears? His sexual prowess, or capacity for violence? The amount of money he has, or the way he attains it?
Or is it his capacity for love and support?
Over two decades after playwright Suzan-Lori Parks’ “Topdog/Underdog” opened off Broadway to immediate acclaim, it is striking how her Pulitzer-winning drama — which the New York Times in 2018 called the best American play in 25 years — continues to capture and distill the here and now.